Concert Critique: La Vida Breve Essay

The show was titled â€Å"Guitar Escapades,† the hotly anticipated guitar couple highlighting Nobel Queano and Franco Maigue. The show happened last September 8, 2011, 7 pm, at NCAS Auditorium. Nobel L. Queano is an alum of Psychology and Music from the University of the Philippines, Diliman. He was a previous employee of Miriam College of Music Center, Colegio San Agustin Makati and the Temple Hill International School and a previous individual from the Baguio Guitar Ensemble and the Philippine Youth Orchestra. He was additionally a first prize victor and a beneficiary of the Most Outstanding Student of the Yamaha School of Music Guitar Competition in 1986 and 1987. By and by, he is working with certain artists of the Academy of Performing Arts in Hong Kong secretly instructing and getting ready universal music understudies for the Associated Board of the Royal School of Music Exams. Franco Raymundo M. Maigue is an alum of UP College of Music. He completed his Bachelor of Music degree as a cum laude. He is the principal prize champ of the 2005 Competitions for Young Artists and top prize victor of the 2002 and 2009 National Music Competitions for Young Artists. He was likewise highlighted as a soloist joined by the manila Symphonic Orchestra at the First Philippine International Guitar Festival. He has been an individual from the UP Guitar Orchestra, Kithara Quartet, Abelardo Guitar Quartet and the UP Jazz Ensemble. B. Melodic topic and style Started as regal diversion in the sixteenth Century, these short plays with tunes were resuscitated to battle eagerness for Italian show, including interestingly Spanish settings and characters, all suffused with the powerful and profoundly particular kind of rover music. As sketched out by Suzanne Desmarquez, the starting points of this style were Arab, with exceptional and unpredictable rhythms, sharp assaults, unpleasant endings, and wide vibrato, showed through guitar backup, castanets, zapateado (foot stepping and tapping), palmar (hand applauding), quick triple meters, melismatic beginnings and parts of the bargains notes and harmonies dependent on open guitar harmonies. As indicated by his understudy, Adolfo Salazar, Falla dismissed putting together his music legitimately with respect to old stories, but instead utilized it as the seeds of his own style, extricating the substance of its sonorities, rhythms and soul. To David Ewen, Falla was a spiritualist who searched out and absorbed the spirit of Spain to create a dynamic summoning as opposed to a strict portrayal. The entertainers introduced Classical Music. II. Examination of the components A. Elements Elements is the clamor and delicate quality of sound. In L a Vida Verde, B. Beat Rhythm is the speed at an ordinary beat. The initial segment of the piece is quick or allegro, at that point, there will be a delay, and a more slow part (adagio) is played. C. Song In the wake of hearing the piece, I recalled its tune. Tune is a progression of single tones which signify a conspicuous entirety. A tune starts, moves, and closures; it has heading, shape, and coherence. How the tones of a tune are performed can differ its impact, as well. Some of the time they are sung or played in a smooth, associated style called legato. Or then again they might be acted in a short, isolates way called staccato. D. Different components of music III. General response to the show A. Depict the state of mind crowd were astonished (may mabilis na part kasi)nakakaexcite! B. Pictures and thoughts passed on pre Spanish era†¦ kamisa de chino for boys†¦ for girls†¦ nakikipaglandian ung young ladies sa young men. may pakipot epek†¦ suyuan sa loob ng simbahan. may pamaypay ung young ladies. sisilipin ung kid tapos magtatakip ng pamaypay. It is a pre-Spanish period. There were people in a congregation. The men wore kamisa de chino while the ladies were dress in [damit ng young ladies? ewan!]. It resembles the men were seeking the ladies in the congregation. The ladies were bashful while the men are forceful and they are attempting to seek after the ladies. C. Vital component of the show The essential component of the show was the point at which they played the melody â€Å"Sana Maulit Muli.† It is a famous tune in the nation, and everyone knows the tune. The individuals who recall the verses sang the tune. I loved the manner in which they play the tune; it’s reviving and satisfying to the ear. The crowd were energetic. This is my first time to hear the melody in an acoustic It is unwinding, as you hear them out play. D. Did you like the show? Why/Why not? I preferred the show. Why? I am a music darling. I value a wide range of music. I accept that doing the old style melodies in acoustic guitar is extremely hard. I appreciate the entertainers, I am a disappointed guitarist. For me to observed such amazing execution, I am thrilled. I loved the show since I got a kick out of the chance to play guitar. In spite of the fact that there were times that I nodded off, (well, it can’t be helped on the grounds that what they’re playing is old style music) and Classical music resembles a bedtime song to me. I generally tune in to old style music when I can’t rest. I am intrigued by their ability. I need to be a decent guitar player as well, directing shows and go to spots and fulfill individuals with my music. I’ve never been to a guitar show yet I feel that the show was magnificent. Playing a guitar for so long is hard. Furthermore the pieces that they play were hard and confused. They’re great.